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WIPO To Agree International Treaty On Audiovisual Copyright

by Ulrika Lomas,, Brussels

05 October 2011

The Director General of the World Intellectual Property Organization (WIPO), Francis Gurry, has welcomed a decision by its General Assembly to convene a diplomatic conference in 2012 to agree an international treaty on audiovisual performance rights.

It is said that the convening of the diplomatic conference signals entry into the final phase of treaty negotiations. “This is a good day for actors, performers and the international copyright community” Gurry said.

“While some countries have domestic legislation that grants certain rights to performers in audiovisual works, there is a legal vacuum at the international level,” he added. “Performers have not had control over how and when their performances are used abroad, nor any legal right to payment. Today’s decision brings us a big step closer to resolving this question.”

Singers, musicians, dancers and actors have enjoyed limited international protection for their performances since the adoption of the Rome Convention in 1961. In 1996, the adoption of WIPO Performances and Phonograms Treaty fully modernized and updated these standards in respect of sound performances, particularly in relation to digital uses, leaving a void in the international rights' system for audiovisual performers.

In 2000, discussions on a treaty that would shore up the rights of performers in their audiovisual performances made significant progress, with provisional agreement on 19 of the 20 articles under negotiation. Negotiators at the time did not agree on whether or how a treaty on performers’ rights should deal with the transfer of rights from the performer to the producer, and suspended the diplomatic conference.

However, member states at the WIPO’s Standing Committee on Copyright and Related Rights, meeting in June 2011 in Geneva, agreed compromise wording to the provision on the transfer of rights which made it sufficiently flexible to adapt to different national laws, thereby paving the way for the conclusion of a treaty. The 2012 diplomatic conference will therefore be able to continue the work of the meeting in 2000.

It is expected that the adoption of a new instrument would strengthen the precarious position of performers in the audiovisual industry by providing a clearer legal basis for the international use of audiovisual productions, both in traditional media and in digital networks. Such an instrument would also contribute to safeguarding the rights of performers against the unauthorized use of their performances in audiovisual media, such as television, film and video.

TAGS: individuals | artists | law | intellectual property | entertainers | copyright | agreements | sportsmen | legislation | standards

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