The Gowers Review of Intellectual Property was on Wednesday presented to the UK Chancellor of the Exchequer, and the Secretaries of State for Trade and Industry and Culture, Media and Sport.
The report, compiled by former Financial Times editor, Andrew Gowers, argues that: "In the modern world, the UK's economic competitiveness is increasingly driven by knowledge-based industries, innovation and creativity. Intellectual Property (IP) - protecting and promoting innovation - has never been more important."
Whilst the Review concludes that the UK has a fundamentally strong IP system, it sets out important targeted reforms. The reforms aim to:
Andrew Gowers explained that:
"In today's global economy, knowledge capital, more than physical capital, will drive the success of the UK economy. Against this backdrop, IP rights, which protect the value of creative ideas, are more vital than ever."
"The ideal IP system creates incentives for innovation, without unduly limiting access for consumers and follow-on innovators. It must strike the right balance in a rapidly changing world so that innovators can see further by standing on the shoulders of giants. And it must take tough action against those who infringe IP rights at a cost to the UK's most creative industries."
"The Review provides sound recommendations on how the IP regime should respond to the challenges that it faces. Getting the balance right is vital to driving innovation, securing investment and stimulating competition."
With the music industry losing an estimated 20% of annual turnover to piracy and counterfeiting, the Review recommends strengthening enforcement of IP rights through:
To provide support for businesses using the IP system the review recommends that:
Finally, to ensure the correct balance in IP rights, the review recommends:
This last recommendation has caused some controversy in the UK music industry, with recording artists such as Paul McCartney, Cliff Richard and Robbie Williams fronting a "fair play for musicians" campaign, which is calling for the extension of the copyright period on recordings and performers' rights beyond the current term.
In a humourous reading of the situation, KPMG Advisory Partner, David Eastwood observed in the firm's response to the publication of the Gowers review that:
“The music industry...will certainly be disappointed that protection of sound recordings has not been extended beyond 50 years – and at the continuing disparity with the US in particular, where protection lasts for 95 years. Buddy Holly will be turning in his grave!”
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